Declaration of Independence...'Declaration of Independence'

Just 30 miles from the place I am writing this post 242 years ago on July 4th the Second Continental Congress officially adopted the Declaration of Independence. So the July 4th of 2018 marks the 242nd anniversary of the founding of the United States.  It was the major turning point in the world's history still not fully comprehended. 

The leaders of the 56 signers of the Declaration of Independence, the Founding Fathers that drafted the Declaration, were intellectual giants that lived at the right time in the right place. They structured the democratic government of the United States and developed the guiding national principles with such perfection that:

  • after 242 years from its birth the U.S. is the oldest existing nation with a constitutional government; and
  • the 230 years old U.S. Constitution is the longest surviving constitution in the world where lifespans of national constitutions are on average only mere 17 years.

Here are the signers of the Declaration depicted at the iconic painting by John Trumbull. The painting is on display in the United States Capitol rotunda next to the statue of George Washington. George Washington did not attend this session of the Congress because in July 1776 he was in New York preparing to defend Manhattan against the British.
 

'Declaration of Independence', United States Capitol rotunda

The painting is as close to a documentary material source as was possible in the pre-photography era. It was created between 1817 and 1819, at that time Trumbull was able to paint many of figures from life, he also visited the Pennsylvania State House and depicted the actual chamber where the Second Continental Congress met. However, as a lot of painters before him, he took a liberty to modify the reality to express his vision - the painting depicts 42 of 56 signers but has some characters that did not sign. There is even a belief that as a way to sign the picture Trumbull painted himself as one of the additional characters. 

Despite the picture name given by Trumbull, 'The Declaration of Independence, July 4, 1776', the date the painting depicts is not actually the 4th of July, it is June 28th, when a draft of the Declaration of Independence was presented to John Hancock, the president of the Continental Congress. The five members that presented the draft of the Declaration are John Adams, Roger Sherman, Robert Livingston, Thomas Jefferson and Benjamin Franklin. 

There is a funny belief associated with the painting - it looks like Thomas Jefferson is portrayed stepping on John Adams’ foot, an action symbolizing the pair as political enemies. Here is an enlarged part of the painting and I’ll let you be the judge. 

IMHO, there are two separate questions to answer regarding this belief: 'Is this action in fact depicted in the painting?' and 'Could it happen in reality?'. My answers are: 'probably not, but could be perceived as such' and 'no'. According to their biographical materials, Adams and Jefferson first met in 1775 and became close friends. Adams personally selected Jefferson to draft the Declaration of Independence. They remained close friends up to 1780s, well after 1776, the year the painting depicts. Their relations started to deteriorate in the 1790s when Jefferson was the secretary of state and Adams the vice president and became even worse later when they run for president against each other. However, they resumed their friendship in 1812. Strangely enough, both men died on the same day, the 4th of July, exactly 50 years after the event in which they were the major contributors. John Adams last words were 'Thomas Jefferson Lives', he did not know that Jefferson had died five hours earlier.

The George Washington iconic sculpture displayed next to the painting is the most recognized and most authentic image of George Washington. 

George Washington, in bronze, by Jean Antoine Houdon (copy cast in 1934).

The sculpture is a bronze copy of the marble original by Jean-Antoine Houdon located at the Virginia state capitol building. The Virginia General Assembly asked Jefferson, the American Minister to France living in Paris at that time, to pick the artist to sculpt Washington. Jefferson commissioned Houdon, the most famous French sculptor of the day. Houdon considered it the lifetime opportunity, in order to accept the commission he even declined an offer of the Empress of Russia. Houdon also insisted to study Washington himself rather than using existing portraits. In order to do so, Houdon traveled seven weeks from Paris to Mount Vernon and spent two weeks there. During his stay at Mount Vernon Houdon made a life face mask of Washington,

George Washington's face mask hologram, Mount Vernon's Education Center

took measuremments of his body and modeled a terra-cotta bust of Washington. He returned back to Paris with copies of the mask, bust and measurements.

George Washington Bust, Mount Vernon

Washington, as humble as he was confident, initially was not willing to participate in such extreme artist activities but was convineced by reasoning that they were necessary for accurate historical records. Also Washington declined the idea to portray him wearing the garments of a hero from ancient Rome which was a standard practice at that time. Instead Houdon presented Washington as a mix of farmer and general, wearing his uniform but holding a civilian walking cane. As a reverence to the classical tradition Houdon placed a farmer’s plowshare behind the general and positioned his left hand on a bundle of thirteen rods, the Roman symbol of civil authority, to represent the unity of the thirteen original colonies. Although, today we perceive the statue as a rather formal image at the time of its creation it was a revolutionary representation, a humble down-to-earth image of the America's greatest hero. 

day at the grounds for sculpture - part 3

42 acres of the estrangement effect

part 1 - the mighty men

part 2 - the commoners

If your idea of a typical park visit is a mindless relaxing strolling in natural surroundings you better do it somewhere else. This park with its huge collection of sculptures of monumental proportions, 3-dimensional imitations of the iconic 2-dimensional images, super realistic human-size statues of common people, sculptures of deconstructed bodies and abstract figures, all strategically placed in the magnificently landscaped arboretum creates a strong estrangement effect. The alienation technique implemented in the park design forces the visitors to see common things in an unfamiliar or strange way and demands intellectual efforts to decipher artists' concepts for themselves .

I visited the park again and again and every time this enchanted feeding ground for thoughts did its trick. This time was no exception.

 

“Icons Revisited”

A horizontal man

Sunbather

Is it legal yet?

Relaxation

Threesome

Afternoon of a Faun

This way to eternity

A shiny thing

 Is there anybody out there?

What happens here, stays here

 

And for a change some creatures living in the park

Have wings, will not fly

I am coming for you

d.c. and vicinity...national gallery of art

If I live nearby I would visit the Gallery every day. "And that's all I have to say about that."©

West Building, the 7th Street entrance.

Isoult by EdwardMcCartan

West Building, Main Floor - East Stair Lobby

Naiad by Antonio Canova

West Building, Main Floor - Rotunda

Mercury after Giovanni Bologna

West Building, Main Floor - view through the Rotunda

Neoclassicism at its best

West Building, Main Floor - West Sculpture Hall

Venus by Francesco Brambilla

West Building, Main Floor - East Sculpture Hall

Painting and Sculpture by Antoine Tassaert

Concourse

 Cascade Waterfall window

Walkway between East and West Buildings

Multiverse by Leo Villareal

Sculpture Garden

Rodent, homage to Roden  (Thinker on a Rock by Barry Flanagan)

East Building rooftop

Hahn/Cock by Katharina Fritsch

lake luxembourg…waiting for godot

It’s March already. A major winter storm is coming again, the third one in 11 days. Despite this gloomy forecast, there is a sense of excitement in the air and all signs of weather indicate that spring is arriving:

  • A rare breed of public phones emerges from the snow

  • Bikers wake up from winter hibernation

  • Coke and Pepsi machines are on their marks for the spring showdown

  • Row boats are dreaming of breaking free

    and some already test the waters

 

Only cormorants keep cool heads – they can fish legally all year round

lake luxembourg…ice…rain…fog

This February day was unusually warm and rainy but ice still covered our Lake Luxembourg. The ice cooled the air near the lake surface and the rain that was falling through the cold air formed a visually stunning fog. The view of the lake and trees veiled by the fog was so beautiful that despite the rain I could not force myself to leave the scene.  All in all,  keeping the camera in one hand and an umbrella in the other I took over 300 shots. Definitely more than I can consume. So here is just a minor part of them. The rest eventually will go to the unused images heaven during the next hard drive cleaning. Well, it’s life.

Farewell self-portrait with the lake in the background.

canada geese...first snow

The Canada Goose is an amazing bird in many ways. It is a bird of high moral standards. They have a support system with siblings and respect parents.  A Canada goose mates for life with only one goose, if there is no mate, there is no sex. It may be not the most abundant bird species here in the Bucks County but definitely the most commonly-seen one as they are non-migratory birds - huge flocks of them cross the sky

or feed in fields

in any season.

They look as joyous and enthusiastic in the field covered with the first snow as in a warm summer day

Looking at them I frequently wondered what kind of the evolutionary process instigated the move from migratory behavior of a regular goose to the non-migratory one. As I found out to my surprise, this move had nothing to do with an evolution - the switch from migratory to non-migratory behavior was totally man-made and it happened in the lifespan of one generation: 'By the early 1960’s, the excessive hunting brought the population of Canada geese to near extinction. To counter this near extinction, the US Fish and Wildlife Service and many State wildlife agencies began a program of re-population of wild Canada geese. They did this by taking the eggs from the nests of the surviving resident Canada geese and artificially incubated these eggs. As a consequence, these geese were not taught the migration patterns and their descendants do not have the biological need to migrate.'

These geese have benefited from the agricultural practices that leave waste grain behind for winter foraging, thereby giving us great winter photo opportunities.

the day the moon blocked the sun...partially

Eclipse-shmeclipse. For the li'l old Newtown it was just another midday at the office. And quite a humid midday, really hot on the sunny side of deserted trafficless streets.  

Only a couple of single enthusiasts and several small groups with kids waited for the beginning of the show at the shore of Lake Luxembourg.

The show started on time. Unfortunately, because of the cloudy sky, it started behind the curtains. The viewers waited patiently for occasional glimpses of the Sun.

And their patience was rewarded with this amazing view.

tyler park...nostalgic party

The park main attraction is the Neshaminy Creek. Local families stroll along its idyllic shores and explore numerous ways to practice patience, such as throwing pebbles into the water, pretending fishing, or walking their dogs.

But to every rule there is an exception - and there are daring people ready to demonstrate it. Just the other day I came across such amazing bunch of good sports - a group of parents and their kids that occupied shores of a small branch of the Creek with a bridge over it. Apparently parents were nostalgic about good old times when creeks were clean and the living was easy. So, they encouraged the kids to jump off the bridge into the shallow water and captured these priceless family moments with their iPhones and tablets. 

The parents, kids, and innocent bystanders - they all seemed to be having a lot of fun. 

Well, no fun can last forever. A cop came and spoiled the party.

Tired but satisfied, the party left the scene of their glory.

oh shenandoah...skyline drive...november

'Oh Shenandoah, I love your daughter, away, you rolling river '. In my memory, I can still hear the deep powerful voice of Paul Robeson coming from the trumpet horn of a wind-up gramophone. I was probably five years old, the place was the post-WWII Odessa, Stalin was still alive and worshiped, and the anti-American campaign, namely, the Cold War, was in high gear. The warfare was utterly schizophrenic as well as the Soviet world around me - American spies and their helpmates were around every corner, however, trucks on the streets were mostly American-made lend-lease trucks; I was dressed in a colorful American jacket from a Joint humanitarian parcel, my only jacket that I was ashamed to wear; my Dad shaved himself with Gillette razor blades; 'Tom Sawyer' was the first English book I read, and Paul Robeson was my favorite singer. His pure Americana records were freely distributed in the anti-American Russia of that time as he was on the right side of the barricades - he was a card-carrying Communist and Stalinist and was even awarded the Stalin Peace Prize in 1952. Go figure!

I completely forgot all this along with a lot of other things in my life and it floated up in memory just recently while reviewing my Shenandoah National Park images. The funny part, by the way, is that I had perceived the Shenandoah lyrics incorrectly as a rhetoric expression of 'a daughter of the place/river'. Actually, the river mentioned in the song was Missouri and Shenandoah was a real person, an Indian chief. The Shenandoah valley and the river there was named after this chief by George Washington in recognition of the chief's support of the Americans during the Revolutionary War.

Anyway, it was my first visit to any National park, not counting the Valley Forge, I had great expectations regarding potential photo opportunities, took a lot of heavy lenses and a solid tripod to cover two days of shooting while the rest of the group would bike along the scenic Skyline Drive. It never happened, it was so cold and windy outside that I did not even touch the damned tripod and made all my shooting handheld from the numerous overlooks leaving my car for not more than five minutes in a row. On the bright side, despite the uncooperative weather the light was amazing, constantly moving shadows from the clouds over the hills created spellbinding landscapes.

We entered the park through the Front Royal entrance, drove to the Skyland Resort and left the park via the Thornton Gap entrance the next day.

view from an overlook #1

view from an overlook #2

view from an overlook #3

view from an overlook #4

view from an overlook #5

view from an overlook #6

On our way back we visited the Luray Caverns  (not impressed) and a small nice Car and Carriage Caravan museum.

outstanding display of vintage vehicles

bye-bye shenandoa

shore...autumn...colors

It's an unusually warm October at the Shore.

let's have fun

self portrait

formal environmental portrait of a local seagull

sand ripples

tango

view from the top of the food chain

view from the bottom of the food chain

winter ...lake ...lightness of being

One has to be crazy to do any kind of photography nowadays. The latest estimates of photos taken annually in the United States range between one and ten trillion.

On the other hand 

'Everything has been said before. But since nobody listens we have to keep going back and beginning all over again.' 

This remark was true in 1892 and it is still true.

So here am I beginning all over again.

lightness of being

lake

winter

winter dreams come true

On the bright side - we haven't had an earthquake lately.

Our garden table is strategically located in a secluded corner and is a perfect meteorological snow board.

blizzard 2016

quiet night

24 inches of pure joy


shore...winter...fog

It's a snow-less January at the Shore. Beautiful in any weather.

ocean

duo in the fog

staying strong

tripod

chat

boardwalk

bracing for better times

what now?

size matters...kind of

On the opposite ends of my current photo gear spectrum are a 50 years old view camera with a custom digital back and a modern compact mirrorless camera. Looking at their group portrait you might be able to notice some difference in their sizes.

50 years old 4x5 Sinar P (the digital back is not shown) with 100 years old Wollensak lens vs modern Fuji X100s. It looks like Fuji is smaller than the front of the old timer lens.

 

When I added the X100s to my stable it was considered 'the new Leica' by many great shooters. And who was I to argue with them? It's small, weighs less than a pound, ready to shoot instantaneously and, being in right hands, is able to produce outstanding images. 

On the other hand don't even start asking me why I decided to shoot with such relic as Sinar P. I cannot provide you with a rational answer.  The system weighs about 20 lb and it takes several hours to assemble the camera and set the scene.  But it feels so good to operate its controls and look through its ground glass.

Apparently having both in my possession I was curious to find out who will win in their 'Whale vs Elephant' or rather 'David vs Goliath' face-off.  It's almost impossible to predict the outcome of such contest in advance by comparing their systems' specifications. There are two many parameters involved and none of them is the defining factor. Even the camera effective pixels count, the staple of all  advertising campaigns, is totally misleading.

So I concluded that the best way to satisfy my curiosity once and for all will be to shoot the same scene with two competitors, make a decent size prints of both images, and compare them. At that point my intention was not to perform a standard 'pixel-peeping' comparison but somewhat to compare images of the same scene on their artistic merits. 

Without further ado I cut a nice iris flower in our garden, put it in a matching blue vase and start to shoot a scene where the flower was the point of interest. Immediately  after the first shots a strange thing happened - I realized that something was wrong with the original idea: the camera choices forced me to set the scene differently to use the cameras at their best.

Right out of the camera images generated  by the 'old timer' had a delicate painterly Pictorialist look with a muted color gamut. They just begged to add more details to the background to make the image compositionally balanced.

Its rival images with their bright colors and highly defined details looked like Deco-inspired ones. The point of interest in these images grabs the viewers attention so strongly that they looked better against a plain monotone color background.

So I finally gave up on the idea to compare the images of an identical scene and ended up with comparing images with an identical point of interest - the iris flower in a blue vase.

And here are the finalists:

 

Irises,  Sinar/Wollensac system

Iris in a Blue Vase, Fuji X100s

Time for a poll. Please do not read further until you vote.

 

 

 

 

 

 

 

 

You made your choice. Good job! Now, here is my story. I hesitated to prefer one to another while looking at them side-by-side on my monitor screen. However, in the 16" by 20" prints competition I gravitated toward recognizing the painterly Sinar image as the winner. A quick poll among my guests also demonstrated that it was a choice of 9 out of 10 participants.

Does this outcome indicates that one system performs better than another? I am not sure.

Despite of the facts that:

a) an image generated by Sinar system contains 20 times more pixels as one generated by the Fuji camera,

b) each Sinar system photosite area is four times larger than Fuji photosite area,

c) Sinar lens area is 7 times larger than Fuji one

both images when displayed on a 24" monitor screen or viewed as 16"x20" prints visually contain similar amount of details. 

It well might be that the reason of such preference is mainly psychological and has something to do with how a modern person of Western culture perceives images.  Due to enormous differences in lens/sensor sizes the Sinar images have much smoother tonal transitions. Also the hundred years old lens causes more image imperfections than the modern Fuji lens. IMHO both factors influence the viewers perception of Sinar images such that they are rated as more pleasing and artistically significant than Fuji ones.

In conclusion, my feeling is that size of a camera matters...kind of.

Does it mean that from now on I will use Sinar as my walk around camera? Not until I get my personal Sherpa. 

 

Postscript for technically inclined visitors


The Pictorialist image notes:

Camera used -  Sinar P 4x5 system

Lens - Wollensak Velostigmat Series II 12", lens diameter - 52 mm (The Series II Velostigmat 12in f/4.5 sold new in 1922 for $146.50. In 2015 dollars that’s $2,046.83; similar to what one pays for a Nikon or Canon professional lens.) 

Custom scanning digital back - based on Nikon D700 full frame body

Assembled system weight - around 19 lb

Due to digital back design limitations the actual 'sensor' size was approximately 3.5"x2.8" (6320 sq mm); it is smaller than the camera 4"x5" ground glass size, but it still has more than twice the area of a medium format image and 20 times larger than the Fuji sensor area (312 sq mm when cropped to fit 4:5 proportions).

Number of recorded pixels - approximately 260 MP

Sensor photosite (pixel) size - 8.45 microns


The Deco image notes:

Camera used -  Fuji X100s

Lens - Fujinon 23 mm f/2, lens diameter - 20 mm

Assembled system weight - 0.98 lb

Number of recorded pixels -  13 MP (when original sensor size is cropped to fit 4:5 proportions).

Sensor photosite (pixel) size -  4.8 microns